The film was, for me,
a great experience.
I had a lot of fun.
I came into a facility
that was already existent...
and Jerome and the people
who were there...
had been working as a team and they
welcomed me and I appreciated that.
It could have been a much less
happy experience.
And the challenges of the movie,
I thought, were significant.
Probably as substantial as
the challenges that we saw...
when we were doing
the first Star Wars.
And yet, as with that film...
I think that we were successful
on 99 percent of the stuff.
Which, you know,
there's a lot of talent involved...
but I think there's a lot
of luck involved.
And coming out of this, I count it as
one of my happiest experiences...
doing visual effects
and the second-unit directing.
It was a great treat as well.
I share John's sentiment that
this was a really good experience.
Rob would let us create
a lot of aspects of this film.
We were really involved in creating
the main character.
And the greatest satisfaction
I have...
is the fact that we were able
to accomplish this...
because initially we really didn't
have any idea how we were gonna do it.
We were asked
to do a talking mouse...
and none of us could have expected
to have really created...
not just this visual effect,
but I really feel like we have...
We have manufactured and really
created a new personality here.
He's something that film will remember
as another character.
This project was an enormous
creative and technical challenge.
And the success is a result
of a collaborative effort.
I want to recognise
some key individuals...
who were instrumental to providing
the management structure...
and resource framework
which allowed us to create Stuart.
The production management
was top-notch...
due to senior visual effects
producer Michelle Murdocca...
executive visual effects producer
Debbie Denise...
digital producer Lydia Bottegoni...
associate producer
Audrea Topps Harjo...
and digital production manager
Jody Echegaray.
Handling vender production
was Jacquie Barnbrook...
marketing venues were produced
by John Clinton.
Our digital artist crews were led by
four computer graphic supervisors...
Jim Berney, Bart Giovanetti,
Jay Redd and Scott Stokdyk.
A special recognition to Mike Travers,
who led our digital cloth team...
and Rob Bredow, our one-man
animation effects genius.
Of course, Clint Hanson and Armin
Bruderlin, who gave Stuart his fur.
And Bob Winter and John McGee,
who gave Stuart his fine grooming.
The digital artists and character
animators are too many to name...
but their efforts are what truly
gave Stuart his heart and soul.
For this, they could never be
properly recognised.
I will mention lead animators
Eric Armstrong, Anthony LaMolinara...
and John Clark Matthews.
Plus Kevin Hudson and his modelling
crew who built the digital Stuart.
We're very thankful to the various
departments at Imageworks...
which provided invaluable services
and support to the production.
Marty Kline,
visual effects art director...
head of Imageworks Art Department.
Our digital colour timer
was John Nicolard.
With scanning and filming coordinating
provided by Dennis Webb.
Our Visual Effects Editorial Department
was supervised by Michael Moore.
Our Software Department
was supervised by Amit Agrawal.
And our software lead
on the show was Evan Smith.
Our Training and Artist Development
Department was led by Sande Scoredos.
Systems and support
was supervised by Alberto Velez...
with technical assistant
supervision by Mary Borlik.
And facility operations was provided
by Tom Hershey and Mary Bailly.
Special thanks to Ian Kelly, who was
our on-set video assist operator...
who was there to remember
what we forgot to do.
David Stump, our visual effect
plates supervisor...
who was there for endless hours
to get us our visual effects plates.
Lastly, John, Henry and myself are
deeply appreciative to Don Levy...
who helped the world recognise
Stuart for the accomplishment he was.
We're grateful for the support...
given by the executive management
at Imageworks...
Ken Ralston, Tim Sarnoff,
Ken Williams and Jenny Fulle.
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9岁的乔治这天迎来了一个弟弟——小白鼠斯图亚特。这是他爸爸妈妈从孤儿院领回来的可爱精灵,会说话,有智慧,并且很希望有自己的家。然而,乔治却不喜欢斯图亚特,不愿意和他作伴。斯图亚特为此颇为犯愁。更令它处境不妙的是,它成为了肥猫眼中的佳肴,在虎视眈眈下过着冒险的生活。
乔治参加了一个航模赛,但是他却一路遭到挫折,先是父亲没能帮他做好模型,当模型好不容易做成了,遥控器却在比赛那天被别人踩坏。在乔治每一次陷入困难的时候,正是斯图亚特机敏勇敢的出手相助,让乔治顺利过关。斯图亚特努力的付出,终于被小乔治接纳,这只小白鼠在乔治家中得到了温暖的归属。
导演: 罗伯·明可夫
编剧: M·奈特·沙马兰 / 格雷戈·布鲁克
主演: 迈克尔·J·福克斯 / 吉娜·戴维斯 / 休·劳瑞 / 乔纳森·利普尼基 / 内森·连恩
类型: 喜剧 / 家庭 / 奇幻 / 冒险
官方网站: http://www.stuartlittle.com/
制片国家/地区: 美国 / 德国
语言: 英语 / 荷兰语
上映日期: 2000-02-16(中国大陆) / 1999-12-05(美国首映)
片长: 84分钟
又名: 一家之鼠超力仔(港) / 一家之鼠(台) / 一家之鼠小史都华
精灵鼠小弟 Stuart Little (1999) 全部台词 (当前第9页,一共 9 页)
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