- (Woman on TV) Nineteen...
- (Man on TV)... thirty-FIVE, you filthy alien garbage heap!
This misappropriation of mens' holes is a very serious crime!
(TV) (Sounds of Woman Struggling and Yelling)
(TV) (Faint Music Plays)
(Man on TV) Come on! Don't hang about! This is torture!
(Woman on TV) Exactly, dear boy! And furthermore, your
expression is beginning to capture the mood completely.
(Man on TV) No! (Panting)
(Woman on TV) Practice hard until I'm ready for the shot.
In the mean-time, I'll be back after lunch.
(Man on TV) No! NO!
(Man on TV) (Yelling in Pain and Fear)
(Man on TV) My God!
(Announcer on TV) You are watching the program
"Immortal Film Classics to Fall Asleep By".
(TV) When you hear the tone,
it will be 5 AM. Please stay tuned.
(Alarm Rings)
(Different Alarm Rings)
(TV) At 6:00, one hour from now, we will present our daily
educational program: "University at Daybreak".
(Other Alarm Continues Ringing)
(TV) Today's subject will be "The Evils of Educational
Television."
(TV) That's in one hour from now.
May we remind you to tune-in to our 6:00 news tonight.
(TV) The day's events will include: 1 gang-land killing, 1
accidental killing, 6 persons held hostage in a Brooklyn bank,
(TV) the board of health reopening a gay bar, a venerial
desease dinic at an old-age home in Queens,
(TV) and President Ford walking and chewing gum at the
same time.
(TV) And now, back to our film.
(Movie Resumes Faintly in Background)
(Billy moans)
(Billy Mumbles) Oh, Phyllis...
- Good morning, love child.
- Morning, love child
Pleasant dreams?
It was weird...
I dreamt I jumped into a large vat of ice water.
Oh, really? All alone?
Uh... yeah, actually. All alone.
- Funny, huh?
- Mm. Hysterical.
- Who are we going to have today?
- Um... a critic, I think.
- A critic! Just what I need: an intellectual.
- No, no. A film critic.
- Have we ever had him before?
- I don't think so.
I don't think I can handle him all by myself.
Do you think we could share him?
- Must we?
- Didn't I help you out with the tennis player?
- The things I do...
- Thanks.
[Gilly] I bet he'll want to take pictures.
- Do you think they'd mind if I took a picture?
- [Phyllis] No, not at all.
Why don't you sit down right here, make yourself
comfortable?
[Audio-Tape Scrubbing]
Good morning, I'm Gillian Blake. How do you do?
Hi, nice to see you. Nice to have you on the show.
Can I get some coffee here please, um... Sam.
Hel-lo, Phyllis...
Do we have a copy of his book?
I thought you said he was a critic?
He is a film critic, but he wrote a book.
Would you mind saying something into the microphone? We
need a level.
Actually, I'd like to say a few words about my book.
Just say that we're going to be on the air in a few minutes.
Pretend that you're in your own living room.
Mind if I take a pic, then?
[Producer] Quiet! Five seconds!
[Theme Music Plays]
Hi, sleepyheads! It's Gillian Blake.
And I'm William Blake!
And with us today we have a very good friend of ours, the
noted film critic and historian...
... Harold Harold!
You may not always respect him,
but you'll always agree with him.
I think I got that wrong.
Let's do traffic.
The L.I.E. is all jammed up!
The Triboro is a mess!
And the east-side highway is bumper-to-bumper.
The best way into New York now is the 108th Street foot-
bridge.
And we're back on the air with Harold Harold.
The state of the film industry is deplorable.
I see 10-15 films a week.
Just the other night, a thing called "Crushed Stockings".
It was a travesty.
First of all, the sound: I love sound.
No sound!
Also, the photography: completely out of focus.
Now, the script: I mean,
I don't know who is writing these scripts.
I just can't understand them. Nothing.
I mean, every time I started to get into it,
I just couldn't understand a thing.
But Harold, if the film was so terrible,
why did you give it such a good review?
Well, actually, I think it was the director.
I think he's a great, great director.
I have to admire him for being such a great director.
I just... he's a great director, what can I tell you?
Everything he's done, I've loved.
The FDR is loosening up. The best way into New York now is
the Staten Island ferry.
It's fifteen seconds before ten o'clock.
What, already?
How time flies!
And thanks to our guest for getting up so early to be with us.
- (Gilly) Until tonight at five, this is Billy's Gilly.
- (Harold)...Seven and a half years to write the book!
- (Billy) And Gilly's Billy. Have a nice day.
- (Harold) I wanna talk about the book!
- (Gilly) Drive carefully!
- (Harold) "The Life and Times of Erich Von Stroheim"!
You can't miss!
- (Gilly) Can you give me those cues a little sooner?
I've told you a hundred times.
- (Billy) I want the cues on the point. I don't want them five
seconds earlier, I don't want them five seconds later.
- How many times a day are you on?
- Twice a day!
We get the folks to work and we bring them home!
And we even appeal to those who roam. You were wonderful.
- But when can I hear my interview?
- Well, I'm not really sure. You see, they delay the interviews.
Someone at the station decides when the exact moment is
right...
for that particular subject to go on the air.
It's an astrologer, I believe.
- Oh, that's my hobby. I'm a bull!
- Ha ha! You didn't have to tell us!
[Phyllis] Um... if you won't be needing me any more,
I'll be getting back to town.
I have some problems from Tuesday's programming.
- What problems?
- Uh... I'll call you later!
[Music: "Flight of the Bumblebee"]
I told Taylor Hawk that I wanted to see him first thing this
morning.
Aren't you going to see him at the party tonight?
Uh, well there may be a new agency man there. You know
how it works out.
I'll try and call you later from the city, okay? Maybe we can
have lunch if you're in town.
Well, where can I reach you if I have to get in touch with you?
Well, we may be taping some spots and I don't know which
studio it is yet.
I'll call you as soon as I get it squared away.
[Music: "Flight of the Bumblebee"]
[Inaudible]
- I'll be right back.
- All right. Hey, can I fix you anything?
- Yeah, I'd love a maraschino cherry juice.
- You got it.
- And a two-cents plain.
- Ha!
Hi, Love-Bunny.
Hiya, Love-Bunny.
What's Big Love-Bunny gonna do with Little Love-Bunny?
Well, Big Love-Bunny is gonna come and sit down right next
to Little Love-Bunny.
And put his hand up Little Love-Bunny's skirt?
And put his hand right up Little Love-Bunny's skirt!
Oooh! Oh!
Big Love-Bunny's got Little Love-Bunny's point.
Ohh! Mmm...
Big Love-Bunny is playing with Little Love-Bunny's nippies.
(coos with pleasure)
Oh, Big Love-Bunny's...
got his finger on Little Love-Bunny's 'fuzzy'.
Big Love-Bunny's playing with Little Love-Bunny's ditty.
Big Love-Bunny's got his finger in Little Love-Bunny's heiney.
Big Love-Bunny is going in and out of Little Love-Bunny.
Big Love-Bunny is putting his other finger back in Little Love-
Bunny's fuzzy.
[Billy] Do you like that?
[Billy] Should I go on?
[Billy] Is this terrific?
Oh, Big Love-Bunny...
...is making Little Love-Bunny... (moans)
Mirror, mirror on the wall: Who's the fairest of them all?
[Bird] Gilly! Gilly!
That's only one bird's opinion.
We'll have to take a more conclusive survey.
I haven't let myself go... too much.
Put Big Love-Bunny's finger up Little Love-Bunny's ass.
Put Big Love-Bunny's great big cock up Little Love-Bunny's
teensy-weensy ear.
I've got it!
[Thinking] You've got it! You'll cheat!
I'll cheat! A little messing around.
[Thinking] You've got a lot of reasons.
I've have lots of reasons.
[Thinking] Name some. Number One:
It'll give me reassurance.
[Thinking] Number Two:
It'll give them reassurance.
[Thinking] Number Three:
It'll feel good.
[Thinking] NO, stupid.
Well, if I can find a few acquantances and appeal to the Inner
Man in each of them,
well, then perhaps I could find the Inner Man in my own
husband!
[Thinking] Right on, sister!
Music!
[Music Begins Playing]
I don't admit that I did anything wrong.
But even if I did, there is such a thing, Gilly, as the three year,
five month itch.
I think you know me well enough to know I'm not a sexist.
It's just... it's a question that, well...
You see, sometimes... men and women...
have different needs.
I'm living in a soap opera!
Well, if it isn't a question of needs, then...
Well, then sometimes men and women are just a little out of
sync!
Our marriage is going through its dubbed period.
I mean, I would understand it perfectly well if you decided
to...
suddenly get very hung up on, say... doing social work.
Or if you just wanted to spend a few hours by yourself once in
a while.
I think they put something in your maraschino cherry juice
and two-cents plain.
You know, Gilly...
The solitary aspect of modern man is considered by many to
be the most neglected.
Now I know they put something in your maraschino cherry
juice.
I mean, who could possibly argue with the fact that it is the
female of the species
who is by far the more understanding...
And as a result of that prodivity of nature, the more forgiving!
I wouldn't forgive you if George Brent asked me to.
学英语电影(初学者) level 1
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