The following is my explanation.
Well...
more of an account
of what happened.
I'd been on my own
for a while...
and getting kind of...
lonely and bored.
Nothing to do all day.
And that's when
I started shadowing.
"Shadowing"?
Shadowing. Following.
I started to follow people.
- Who?
- Anyone at first.
I mean, that was the whole point.
Somebody at random.
Somebody who didn't know
who I was.
And then?
- And then... nothing.
- "Nothing"?
Nothing. I'd just see...
where they went, what they did...
and go home afterwards.
Why'd you do it?
To see where they went.
Anyone -- I mean --
How can I explain?
You ever...
been to a football match,
just let your eyes...
go over, drift across
a crowd of people...
and they slowly stop
and fix on one person...
and all of a sudden that person
isn't part of the crowd anymore?
They've become an individual,
just like that.
It just became irresistible.
- So you followed women?
- No, I didn't follow women.
It wasn't a sex thing.
I followed anybody.
I just wanted to see
where they went and what they did.
You were playing secret agent?
No, I'm a writer.
Well, I want to be a writer, anyway.
I was gathering material
for my characters.
Well, to begin with.
After a while,
I spotted the dangers.
I'd become hooked.
I had to start making up rules...
to just try
and keep it under control.
"Never follow people for too long."
"Don't follow women
down dark alleys after dark."
You know, stuff like that.
It was supposed
to just be completely random.
And when it stopped being random...
that's when it started to go wrong.
When I started to follow people...
specific people, when I selected...
a person to follow...
that was when the trouble started.
Other people are interesting to me.
Have you never...
listened to other people's
conversations on the bus...
or on the Tube, seen people,
somebody on the street...
that looks interesting
or is behaving...
slightly... oddly or something
like that and wondered...
what their lives involved,
what they do...
where they come from,
where they go to?
You watch somebody's behavior,
and it raises...
a hundred thousand questions...
and I wanted to ask
those questions...
and I wanted to know
what the answers were.
And so I'd follow people
to try and find out.
The most important rule was...
that even if I found out where
somebody worked or where they lived...
then you would never follow
the same person twice.
That was the most important rule.
That was the one that I broke first.
Yes?
- Coffee, please.
- Come on. It's lunch.
Toasted cheese sandwich as well.
Mind if I join you?
Who and why?
Hi. Yeah, um, I'll have
a black coffee please, and --
What's that?
Another coffee, black.
You're obviously not a policeman,
so who are you and why are you following me?
I'm sorry. I don't know
what you're talking about.
Don't piss me about.
Who the fuck are you?
Oh, thank you very much.
Sugar?
No, I wasn't --
I wasn't following you.
I saw you with your bag.
I just thought
you looked interesting.
- What are you, a faggot?
- No, no.
Okay, to tell you the truth,
I thought you were this guy...
that I was at school with.
I saw you walk in here,
so I followed you in just to see if it was him.
- But it wasn't.
- Why didn't you ask me when you saw me?
'Cause I'd have been embarrassed
if it wasn't the person.
Not as embarrassed
as you are now.
- No, I suppose not.
- What's your name?
Bill.
Well, Bill, what do you do?
- Actually, I'm kind of --
- Between jobs right now. Yeah.
- Yeah. That's right.
- What would you do?
- Don't know.
- Oh, come on, Bill.
Don't be coy. There's some burning
ambition inside you, isn't there?
There's something
of the starving artist in you, no?
- No. No.
- No?
- You're a painter.
- No. - Photos.
- No.
- Writer. - No.
- Writer, eh?
- No.
- But you write.
- Not much.
- But sometimes.
- Sometimes. Who doesn't?
Me.
- So you're a writer.
- I didn't say that.
What makes you think
I'm a writer, anyway?
An unemployed 20-something...
who fancies himself a writer --
a real leap into the unknown.
- Well, I'm not a writer.
- But you're interested in people.
- Yeah.
- This person.
Perhaps.
You haven't even
asked me my name yet...
- What's your name?
- or what's in my bag.
- What bag?
- My bag.
The one you've been
looking at all morning.
What's your name,
and what's in your bag?
My name's Cobb.
Take a look for yourself.
What were you expecting?
Drugs?
Why would you nick their old CDs?
Easy to grab a load. Easy to sell.
Totally untraceable.
The other stuff's a bit more tricky.
You don't look like a burglar.
Sounds like a compliment.
Are you interested now?
Gloves.
- People don't really do that, do they?
- You'd be surprised.
Does that really work?
Wait and see.
Beginner's luck.
See? Nobody home.
Okay, first things first.
We need a bag.
A bag?
To carry the stuff in.
Why are you whispering?
Don't you have one of your own?
Yeah, it's a big bag with
"swag" written right across it.
Bingo.
Okay. What do you fancy?
- Nothing here of any value.
- You don't seem that concerned.
- I don't do it for the money.
- Why do you do it?
For the adrenaline. And because,
like you, I'm interested in people.
You can tell a lot about people
from their stuff.
- How old would you say these people are?
- Don't know.
You can tell a lot from the futon, for a start.
Young people have futons.
Most people wouldn't be
anywhere near 40 with a futon.
And they've got one laundry bag,
which means...
they're probably very used
to each other.
Probably about 25, over.
They could be 20 and have
been living together for years.
Nah. No, look at the books.
They're college-educated.
Probably graduated
when they were 21 or 22.
Moved in together in the last year.
You can tell more from the music.
And here is the box.
- What box?
- Everyone has a box.
With men, it's usually a shoebox.
- Are there valuables in it?
- No. More interesting, more personal.
Things like snapshots, letters...
or trinkets from a Christmas cracker.
See?
Envelope, photo...
little calling cards, notes.
A sort of unconscious collection.
A display.
- What do you mean, "display"?
- Well, display.
Each thing tells something
very intimate about the people.
We're very privileged to see it.
It's very rare.
Hey, hey, hey, hey!
What the --
What the hell'd you do that for?
It's like a diary.
They hide it, but actually they want
someone to see it. That's what I do.
Concealment, display --
flip sides of the same coin.
This way they know
that someone's seen it.
That's what it's all about --
interrupting someone's life...
making them see all the things
they took for granted.
Like when they go back and buy
all this stuff from the shelves...
with the insurance money,
they'll have to think...
for the first time in a long time...
why they wanted all this stuff,
what it's for.
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比尔(杰里米•希尔伯德 Jeremy Theobald 饰)是个游手好闲的作家,借跟踪陌生人打发时间。这让他体验到形形色色的人生,很神秘,也很刺激。不过,有一次,比尔盯上了一个西服革履的家伙克布(艾利克斯•浩尔 Alex Haw 饰)。尾随到餐厅之后,他却被对方识破,只得摊牌。克布是个贩卖盗版光碟的商贩,此外还做拧门撬锁的勾当。克布带着比尔潜入了陌生人家中,但比尔发现克布根本不取财物,而是寻找主人蓄意掩盖的隐私。同时,克布还提醒比尔要注意仪表。后来,比尔认识了一个神秘的金发女人(露西•拉塞尔 Lucy Russell 饰)。在酒吧,比尔主动与她调情,但是对方冷若冰霜。原来她是黑社会大佬的女人,但是不可遏制的激情让比尔失去了理智,从而堕入了万劫不复的深渊……
导演: 克里斯托弗·诺兰
编剧: 克里斯托弗·诺兰
主演: 杰里米·西奥伯德 / 亚历克斯·霍 / 露西·拉塞尔 / 约翰·诺兰 / 迪克·布拉德塞尔 / 吉莉安·艾尔-卡迪 / 詹妮弗·安杰尔 / 尼古拉斯·卡洛蒂 / 达伦·奥曼迪 / 盖·格林威 / 塔索斯·史蒂文斯 / 特里斯坦·马丁 / 瑞贝卡·詹姆斯 / 保罗·梅森 / 大卫·博维尔
类型: 悬疑 / 惊悚 / 犯罪
制片国家/地区: 英国
语言: 英语
上映日期: 1998-09-12(多伦多电影节) / 1999-11-05(英国)
片长: 69分钟
又名: 跟踪(台) / 致命追踪 / 尾随
追随 Following (1998) 全部台词 (当前第1页,一共 5 页)
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