飞天万能床 Bedknobs and Broomsticks(1971)【完整台词】
飞天万能床 Bedknobs and Broomsticks(1971) 全部台词 (当前第3页,一共 11 页)
THIS KNOB WILL NOW WORK
THE FAMOUS TRAVELING SPELL.
WHAT'S THE FAMOUS
TRAVELING SPELL ?
HOW DOES IT WORK ?
YOU PUT THIS KNOB
BACK ON THE BED UPSTAIRS.
THEN, TURN IT SMARTLY
A QUARTER TURN TO THE LEFT.
THEN, IN A FIRM,
CLEAR VOICE,
TELL IT WHERE YOU WANT TO GO,
AND THE BED WILL TAKE YOU.
GO ON !
WILL IT REALLY ?
I SEE NO REASON
TO THINK OTHERWISE.
OH, THANK YOU
FOR THE LOVELY GIFT.
OH, I'M SORRY, BUT
IT DOES BELONG TO PAUL.
HE'S THE ONLY ONE
WHO CAN WORK THE SPELL.
ME ?
YES.
THAT'S RIGHT.
MINE, NOW WASN'T IT.
THAT'S THE WAY
THE SPELL WORKS.
NICE MESS HE'LL
MAKE OF THINGS.
( Bell Jingles )
OH, BOTHER.
YOU CHILDREN
RUN UPSTAIRS,
DON'T TRY ANYTHING WITH
THE BEDKNOB 'TIL I GET BACK.
"DEAR MADAM, IT GRIEVES ME
TO INFORM YOU,
"THAT DUE TO THE WAR,
WE HAVE BEEN FORCED ...
"TO CLOSE DOWN OUR
COLLEGE OF WITCHCRAFT.
"THIS MEANS THAT WE SHALL
NOT BE SENDING YOU ...
THE FINAL LESSON IN WHICH
YOU EXPRESSED SO
MUCH INTEREST."
WE WERE WONDERING
WHAT WAS KEEPING YOU.
I'VE HAD SOME
VERY BAD NEWS.
IS THERE ANYTHING
WE CAN DO ?
NO, NO, THANK YOU.
YES, YES, THERE IS
SOMETHING THAT PAUL CAN DO.
ME ?
PAUL, I NEED
THE BEDKNOB BACK.
I MUST GET TO
LONDON IMMEDIATELY.
NO, I WANT TO
GO TO THE JUNGLE.
COME WITH ME, PAUL.
PAUL, RIDICULOUS
AS IT MAY SEEM ...
TO EXPLAIN THIS TO
A 6-YEAR-OLD CHILD,
BUT I DO NEED
YOUR HELP.
GO AHEAD.
I WAS EXPECTING A VERY
IMPORTANT SPELL
IN THE MAIL ...
FROM MY TEACHER,
PROFESSOR EMELIUS BROWNE,
AND IT HASN'T COME.
WHAT'S THAT GOT TO DO
WITH MY KNOB ?
I MUST GO TO LONDON
IMMEDIATELY AND SEE
PROFESSOR BROWNE.
WITH HIS HELP, WE MAY BE ABLE
TO BRING THIS WAR TO AN END.
THAT IS WHY I
NEED THE KNOB.
WHAT IS
YOUR DECISION ?
THANK YOU,
PAUL.
I BROUGHT THIS FOR
YOUR HAIR, CARRIE.
IT MAY BE WINDY.
THANK YOU.
IT'S EVER SO NICE.
PAUL, HAVE YOU BEEN
TO THE BATHROOM ?
TWICE.
CHARLES, YOU'D BETTER
PUT ON SOMETHING WARMER.
THE BED MAY
TRAVEL QUITE FAST.
I'M NOT GOING.
I'M STAYING RIGHT HERE.
BUT WHY ?
ALL THAT RUBBISH
ABOUT A TRAVELING BED.
IT WON'T WORK,
THAT'S WHY.
CARRIE, HELP ME
PULL THE BED OUT.
WE DON'T WANT TO SCRATCH
THE WALL WHEN WE TAKE OFF.
HOW'S A RUDDY BIG BED,
LIKE THAT,
GOING TO GET OUT OF THIS ROOM,
WITH THOSE LITTLE WINDOWS ?
I DON'T KNOW, CHARLES.
THERE'S A GREAT MANY THINGS
ABOUT MAGIC I DON'T KNOW.
WE'LL JUST HAVE TO
FIND OUT.
LOVELY.
JUST SO'S YOU LEAVE
ME OUT OF IT.
I DON'T FANCY MAKING
A FOOL OF MYSELF.
WHAT'S COME OVER YOU
LATELY, CHARLIE ?
YOU'RE NO FUN,
ANYMORE.
HELP ME
TIDY THE BED.
WE DON'T WANT TO GO TO
LONDON WITH AN UNMADE BED.
HOW OLD IS CHARLES ?
ELEVEN, GOING
ON TWELVE.
I SEE. THAT'S WHAT
MY FATHER USED TO CALL ...
THE AGE OF "NOT BELIEVING."
WHAT'S THAT
SUPPOSED TO BE ?
♪ WHEN YOU RUSH AROUND
IN HOPELESS CIRCLES ♪
♪ SEARCHING EVERYWHERE
FOR SOMETHING TRUE ♪
♪ YOU'RE AT THE AGE
OF NOT BELIEVING ♪
♪ WHEN ALL THE MAKE BELIEVE
IS THROUGH ♪
THAT'S CHARLIE TO A "T."
♪ WHEN YOU SET ASIDE
YOUR CHILDHOOD HEROES ♪
♪ AND YOUR DREAMS ARE LOST
UPON A SHELF ♪
♪ YOU'RE AT THE AGE
OF NOT BELIEVING ♪
♪ AND WORST OF ALL
YOU DOUBT YOURSELF ♪
THROW THAT INTO
THE WASTEBASKET.
♪ YOU'RE A CASTAWAY WHERE
NO ONE HEARS YOU ♪
♪ ON A BARREN ISLE
IN A LONELY SEA ♪
WHAT'S THAT SUPPOSED
TO BE ? POETRY ?
♪ WHERE DID ALL THE
HAPPY ENDINGS GO ♪
♪ WHERE CAN ALL
THE GOOD TIMES BE ♪
EVERYONE ON THE BED
WHO'S GOING.
♪ YOU MUST FACE THE
AGE OF NOT BELIEVING ♪
♪ DOUBTING EVERYTHING
YOU EVER KNEW ♪
THE KNOB, PAUL.
♪ UNTIL AT LAST
YOU START BELIEVING ♪
♪ THERE'S SOMETHING
WONDERFUL IN YOU ♪♪
LOVELY SENTIMENT,
I'M SURE.
ARE YOU READY,
PAUL ?
YES, MISS PRICE.
REPEAT AFTER ME.
TAKE US TO PROFESSOR
EMELIUS BROWNE ...
TAKE US TO
PROFESSOR ...
EMELIUS BROWNE.
VERY GOOD.
HEADMASTER CORRESPONDENCE
COLLEGE OF WITCHCRAFT.
HEADMASTER ...
CORRESPONDENCE ...
COLLEGE ...
( Miss Price )
OF WITCHCRAFT, LONDON.
( Paul )
OF WITCHCRAFT, LONDON.
( Miss Price )
WHEN I SAY "GO,"
TAP THE KNOB 3 TIMES AND TURN
IT A QUARTER TURN TO THE LEFT.
LEFT ?
THAT'S IT.
WE'D BETTER
HOLD ON TIGHT.
THE BEHAVIOR OF THE BED
IS SOMETHING I'M NOT SURE OF.
LET ME BREATHE
A LITTLE.
ALL RIGHT, PAUL,
READY ...
GO !
ONE ...
TWO ... THREE ...
( Growl )
( Screech )
IS THIS LONDON ?
COURSE IT IS.
CAN'T YOU SMELL THAT
LOVELY, SOOTY AIR ?
MARVELOUS,
AIN'T IT ?
WELL, CHARLES, ARE
YOU CONVINCED NOW ?
NOT YET,
I AIN'T.
I DON'T SEE NO
PROFESSOR BROWNE.
NEITHER DO I,
IN POINT OF FACT.
LOOK AFTER THE BED
WHILE I MAKE INQUIRIES.
I TOLD YOU THIS
FLAMIN' BED WOULDN'T WORK.
DON'T START
THAT AGAIN.
IT DIDN'T
WORK PROPER.
IT WAS SUPPOSED TO
TAKE US TO PRO--
LOOK !
( Paul )
PROFESSOR BROWNE !
( Charlie )
COME ON !
LADIES AND GENTLEMEN !
GATHER AROUND, PLEASE,
LADIES AND GENTLEMEN !
PLEASE NOTE THE NAME,
"PROFESSOR EMELIUS BROWNE."
I AM HERE TO DIVERT,
TO AMUSE ...
AND, YES,
EVEN TO HELP YOU.
THERE HE IS !
( Browne )
IT IS NOT WHAT THINGS ARE.
IT IS WHAT
THEY SEEM TO BE.
IS THAT NOT SO,
MADAM ?
THAT AIN'T THE KIND
OF PROFESSOR I EXPECTED.
I'M NOT SURE IT'S THE KIND
MISS PRICE EXPECTED, EITHER.
WHAT EFFECT
A LITTLE SMOKE IS ...
WITH A DASH OF HOCUS POCUS
AND THE SCENT OF BURNING --
AND THE SCENT OF
BURNING SULPHUR IN THE AIR.
LADIES AND GENTLEMEN,
FOR MY NEXT TRICK,
MAY I DRAW YOUR ATTENTION ...
TO THIS SOLID PIECE OF
ORDINARY WINDOW GLASS ...
FRAMED IN AN ORDINARY,
UNPREPARED FRAME.
MAY I ALSO DRAW YOUR ATTENTION
TO THIS ORDINARY STEEL NAIL.
I SHALL PLACE THE FRAMED GLASS
IN THIS BROWN, UNPREPARED,
MARK YOU,
LADIES AND GENTLEMEN,
UNPREPARED,
BROWN, PAPER BAG.
I SHALL NOW ATTEMPT ...
TO DRIVE THE STEEL NAIL
THROUGH THE GLASS ...
WITHOUT BREAKING
THE GLASS !
"IMPOSSIBLE,"
I CAN HEAR YOU SAY.
WE SHALL SEE.
( Breaking Glass )
( Clinking Broken Glass )
HE AIN'T VERY GOOD,
EVEN IF HE IS A PROFESSOR.
( Browne )
I'LL TELL YOU WHAT
I'M GOING TO DO.
NO, LADIES,
PLEASE DON'T GO.
DON'T LEAVE NOW ...
AND REGRET LOST
OPPORTUNITIES LATER.
YOU, YOUNG SIR,
WOULD YOU CARE TO WARBLE
LIKE THE STORIED NIGHTINGALE ?
WITH THIS
INEXPENSIVE DEVICE,
THE FAMOUS TRAVELING SPELL.
WHAT'S THE FAMOUS
TRAVELING SPELL ?
HOW DOES IT WORK ?
YOU PUT THIS KNOB
BACK ON THE BED UPSTAIRS.
THEN, TURN IT SMARTLY
A QUARTER TURN TO THE LEFT.
THEN, IN A FIRM,
CLEAR VOICE,
TELL IT WHERE YOU WANT TO GO,
AND THE BED WILL TAKE YOU.
GO ON !
WILL IT REALLY ?
I SEE NO REASON
TO THINK OTHERWISE.
OH, THANK YOU
FOR THE LOVELY GIFT.
OH, I'M SORRY, BUT
IT DOES BELONG TO PAUL.
HE'S THE ONLY ONE
WHO CAN WORK THE SPELL.
ME ?
YES.
THAT'S RIGHT.
MINE, NOW WASN'T IT.
THAT'S THE WAY
THE SPELL WORKS.
NICE MESS HE'LL
MAKE OF THINGS.
( Bell Jingles )
OH, BOTHER.
YOU CHILDREN
RUN UPSTAIRS,
DON'T TRY ANYTHING WITH
THE BEDKNOB 'TIL I GET BACK.
"DEAR MADAM, IT GRIEVES ME
TO INFORM YOU,
"THAT DUE TO THE WAR,
WE HAVE BEEN FORCED ...
"TO CLOSE DOWN OUR
COLLEGE OF WITCHCRAFT.
"THIS MEANS THAT WE SHALL
NOT BE SENDING YOU ...
THE FINAL LESSON IN WHICH
YOU EXPRESSED SO
MUCH INTEREST."
WE WERE WONDERING
WHAT WAS KEEPING YOU.
I'VE HAD SOME
VERY BAD NEWS.
IS THERE ANYTHING
WE CAN DO ?
NO, NO, THANK YOU.
YES, YES, THERE IS
SOMETHING THAT PAUL CAN DO.
ME ?
PAUL, I NEED
THE BEDKNOB BACK.
I MUST GET TO
LONDON IMMEDIATELY.
NO, I WANT TO
GO TO THE JUNGLE.
COME WITH ME, PAUL.
PAUL, RIDICULOUS
AS IT MAY SEEM ...
TO EXPLAIN THIS TO
A 6-YEAR-OLD CHILD,
BUT I DO NEED
YOUR HELP.
GO AHEAD.
I WAS EXPECTING A VERY
IMPORTANT SPELL
IN THE MAIL ...
FROM MY TEACHER,
PROFESSOR EMELIUS BROWNE,
AND IT HASN'T COME.
WHAT'S THAT GOT TO DO
WITH MY KNOB ?
I MUST GO TO LONDON
IMMEDIATELY AND SEE
PROFESSOR BROWNE.
WITH HIS HELP, WE MAY BE ABLE
TO BRING THIS WAR TO AN END.
THAT IS WHY I
NEED THE KNOB.
WHAT IS
YOUR DECISION ?
THANK YOU,
PAUL.
I BROUGHT THIS FOR
YOUR HAIR, CARRIE.
IT MAY BE WINDY.
THANK YOU.
IT'S EVER SO NICE.
PAUL, HAVE YOU BEEN
TO THE BATHROOM ?
TWICE.
CHARLES, YOU'D BETTER
PUT ON SOMETHING WARMER.
THE BED MAY
TRAVEL QUITE FAST.
I'M NOT GOING.
I'M STAYING RIGHT HERE.
BUT WHY ?
ALL THAT RUBBISH
ABOUT A TRAVELING BED.
IT WON'T WORK,
THAT'S WHY.
CARRIE, HELP ME
PULL THE BED OUT.
WE DON'T WANT TO SCRATCH
THE WALL WHEN WE TAKE OFF.
HOW'S A RUDDY BIG BED,
LIKE THAT,
GOING TO GET OUT OF THIS ROOM,
WITH THOSE LITTLE WINDOWS ?
I DON'T KNOW, CHARLES.
THERE'S A GREAT MANY THINGS
ABOUT MAGIC I DON'T KNOW.
WE'LL JUST HAVE TO
FIND OUT.
LOVELY.
JUST SO'S YOU LEAVE
ME OUT OF IT.
I DON'T FANCY MAKING
A FOOL OF MYSELF.
WHAT'S COME OVER YOU
LATELY, CHARLIE ?
YOU'RE NO FUN,
ANYMORE.
HELP ME
TIDY THE BED.
WE DON'T WANT TO GO TO
LONDON WITH AN UNMADE BED.
HOW OLD IS CHARLES ?
ELEVEN, GOING
ON TWELVE.
I SEE. THAT'S WHAT
MY FATHER USED TO CALL ...
THE AGE OF "NOT BELIEVING."
WHAT'S THAT
SUPPOSED TO BE ?
♪ WHEN YOU RUSH AROUND
IN HOPELESS CIRCLES ♪
♪ SEARCHING EVERYWHERE
FOR SOMETHING TRUE ♪
♪ YOU'RE AT THE AGE
OF NOT BELIEVING ♪
♪ WHEN ALL THE MAKE BELIEVE
IS THROUGH ♪
THAT'S CHARLIE TO A "T."
♪ WHEN YOU SET ASIDE
YOUR CHILDHOOD HEROES ♪
♪ AND YOUR DREAMS ARE LOST
UPON A SHELF ♪
♪ YOU'RE AT THE AGE
OF NOT BELIEVING ♪
♪ AND WORST OF ALL
YOU DOUBT YOURSELF ♪
THROW THAT INTO
THE WASTEBASKET.
♪ YOU'RE A CASTAWAY WHERE
NO ONE HEARS YOU ♪
♪ ON A BARREN ISLE
IN A LONELY SEA ♪
WHAT'S THAT SUPPOSED
TO BE ? POETRY ?
♪ WHERE DID ALL THE
HAPPY ENDINGS GO ♪
♪ WHERE CAN ALL
THE GOOD TIMES BE ♪
EVERYONE ON THE BED
WHO'S GOING.
♪ YOU MUST FACE THE
AGE OF NOT BELIEVING ♪
♪ DOUBTING EVERYTHING
YOU EVER KNEW ♪
THE KNOB, PAUL.
♪ UNTIL AT LAST
YOU START BELIEVING ♪
♪ THERE'S SOMETHING
WONDERFUL IN YOU ♪♪
LOVELY SENTIMENT,
I'M SURE.
ARE YOU READY,
PAUL ?
YES, MISS PRICE.
REPEAT AFTER ME.
TAKE US TO PROFESSOR
EMELIUS BROWNE ...
TAKE US TO
PROFESSOR ...
EMELIUS BROWNE.
VERY GOOD.
HEADMASTER CORRESPONDENCE
COLLEGE OF WITCHCRAFT.
HEADMASTER ...
CORRESPONDENCE ...
COLLEGE ...
( Miss Price )
OF WITCHCRAFT, LONDON.
( Paul )
OF WITCHCRAFT, LONDON.
( Miss Price )
WHEN I SAY "GO,"
TAP THE KNOB 3 TIMES AND TURN
IT A QUARTER TURN TO THE LEFT.
LEFT ?
THAT'S IT.
WE'D BETTER
HOLD ON TIGHT.
THE BEHAVIOR OF THE BED
IS SOMETHING I'M NOT SURE OF.
LET ME BREATHE
A LITTLE.
ALL RIGHT, PAUL,
READY ...
GO !
ONE ...
TWO ... THREE ...
( Growl )
( Screech )
IS THIS LONDON ?
COURSE IT IS.
CAN'T YOU SMELL THAT
LOVELY, SOOTY AIR ?
MARVELOUS,
AIN'T IT ?
WELL, CHARLES, ARE
YOU CONVINCED NOW ?
NOT YET,
I AIN'T.
I DON'T SEE NO
PROFESSOR BROWNE.
NEITHER DO I,
IN POINT OF FACT.
LOOK AFTER THE BED
WHILE I MAKE INQUIRIES.
I TOLD YOU THIS
FLAMIN' BED WOULDN'T WORK.
DON'T START
THAT AGAIN.
IT DIDN'T
WORK PROPER.
IT WAS SUPPOSED TO
TAKE US TO PRO--
LOOK !
( Paul )
PROFESSOR BROWNE !
( Charlie )
COME ON !
LADIES AND GENTLEMEN !
GATHER AROUND, PLEASE,
LADIES AND GENTLEMEN !
PLEASE NOTE THE NAME,
"PROFESSOR EMELIUS BROWNE."
I AM HERE TO DIVERT,
TO AMUSE ...
AND, YES,
EVEN TO HELP YOU.
THERE HE IS !
( Browne )
IT IS NOT WHAT THINGS ARE.
IT IS WHAT
THEY SEEM TO BE.
IS THAT NOT SO,
MADAM ?
THAT AIN'T THE KIND
OF PROFESSOR I EXPECTED.
I'M NOT SURE IT'S THE KIND
MISS PRICE EXPECTED, EITHER.
WHAT EFFECT
A LITTLE SMOKE IS ...
WITH A DASH OF HOCUS POCUS
AND THE SCENT OF BURNING --
AND THE SCENT OF
BURNING SULPHUR IN THE AIR.
LADIES AND GENTLEMEN,
FOR MY NEXT TRICK,
MAY I DRAW YOUR ATTENTION ...
TO THIS SOLID PIECE OF
ORDINARY WINDOW GLASS ...
FRAMED IN AN ORDINARY,
UNPREPARED FRAME.
MAY I ALSO DRAW YOUR ATTENTION
TO THIS ORDINARY STEEL NAIL.
I SHALL PLACE THE FRAMED GLASS
IN THIS BROWN, UNPREPARED,
MARK YOU,
LADIES AND GENTLEMEN,
UNPREPARED,
BROWN, PAPER BAG.
I SHALL NOW ATTEMPT ...
TO DRIVE THE STEEL NAIL
THROUGH THE GLASS ...
WITHOUT BREAKING
THE GLASS !
"IMPOSSIBLE,"
I CAN HEAR YOU SAY.
WE SHALL SEE.
( Breaking Glass )
( Clinking Broken Glass )
HE AIN'T VERY GOOD,
EVEN IF HE IS A PROFESSOR.
( Browne )
I'LL TELL YOU WHAT
I'M GOING TO DO.
NO, LADIES,
PLEASE DON'T GO.
DON'T LEAVE NOW ...
AND REGRET LOST
OPPORTUNITIES LATER.
YOU, YOUNG SIR,
WOULD YOU CARE TO WARBLE
LIKE THE STORIED NIGHTINGALE ?
WITH THIS
INEXPENSIVE DEVICE,
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