And we can avoid all that
if I tell you about
Secretary Krakow's accounts?
Telling me? You're telling everybody.
Oh, you're coming back to New York
and going in front of a grand jury.
Today.
Mnh.
Mnh.
It's a shame you're wearing that.
Brrr.
Cold in New York.
[up-tempo jazz music]
Fucking bad ass.
It truly is.
I'm a bit of a buff about this event.
Did you know one year, John Astor
and Cornelius Vanderbilt
wore the same dress
and it was the social
scandal of the season.
I bet I'll never get
the tap on the shoulder.
You never know.
When I was starting out,
my first big boss
he was a former president.
You worked for a Grand Swipe?
He was bringing me along.
Then, after the first time
I went to rehab,
he cut me loose.
My father said I blew it.
I'd never get in.
I've found I've been
carrying this around
ever since I got the invite.
This is Mr.
Wagner.
[Spyros] A former Grand Loaf.
I dedicate all of this
to the day he died.
He was so damn disappointed.
He'll never get to see me like this
Spyros, Dollar Bill,
find whatever greatness lies
within you and nurture it.
[gulps]
Eventually, it will be seen.
You already have your men,
waiting to take me, huh?
Not his men.
Not by a long shot.
I am the United States Attorney
for the Southern District of New York.
You always say the full
title Idi Amin-style?
Whether or not I do,
I am lord of all beasts of this case.
I have here a material witness order
Signed by a judge,
executed now by the FBI.
[Sacker] Mr.
Abington,
you can go with Agent Dancshazy.
We have a lot to talk about.
[dramatic music]
You fucked with the
wrong Attorney General.
- I'll see you
- Oh, say it, fucking say it, Chuck.
- in court.
- Goddamned right you will.
Great news.
All three companies
accepted our term sheet.
I don't want to do any of these deals.
Why'd you have us go
through the meetings then?
[Douglas] I went with you,
because I thought,
hey, this is Taylor's area of expertise.
But I did not come to New York
to do business with strangers.
I came here to work with my family.
So, like, you wanna pass on everyone?
What would make you happy?
You.
You financing the whole thing.
With banks, if necessary.
But it's clear to me you
don't want to take that risk.
You don't believe in the
idea strongly enough.
In me enough.
The smartest thing, the necessary thing,
is a strategic partnership.
Which brings with it a stronger
endorsement of the utility.
This is a sign of how much I believe.
Enough not to humor you.
But to make a plan to win.
The only plan I see is the one
where you protect your own hide.
[dramatic music]
[door opens]
I'm gonna
[indistinct conversations]
Hey, look.
From time to time I've
been asked to get right
with some stuff I
didn't fully agree with.
And I rolled with it.
Because I wasn't the
smartest person in the room.
I'm always the smartest
person in the room.
Then I can't help you.
Especially if you think that
when you're in the
same room with Taylor.
[soft music]
The four freedoms,
as identified by FDR
speech, worship, from fear, from want.
That was part of Roosevelt's shpiel
to get America into the war.
Effective.
Appealing to not only our desires,
but also to that of
which we're most afraid.
He knew how to rouse.
Which do you think is
the more effective tool:
appealing to someone's
aspirations or their fear?
If you want to motivate
someone to a specific action?
I say: be like Roosevelt and do both.
I think that's correct.
Thank you.
Louis Kahn built this, didn't he?
The original starchitect.
Before the term was even coined.
Yes.
He called this:
a space of inspired use.
But he never saw it come to be.
The financing didn't come
through during his lifetime.
- Or even right after.
- Despite his genius.
It was his son, wasn't it?
Who brought him back.
Made that documentary about him.
Yes.
It wasn't until the film,
years after his father's death,
that the world remembered
how special he was.
I see.
The kid the whole movie is him
trying to understand his father,
what made him great,
what made him distant.
It's a search to get to the
soul of a great designer
and innovator,
who happened to be a flawed man.
I'm guessing, for someone like you,
someone who's always looking
for the new approach,
the thought of Kahn
walking around with plans
for something this
striking and important,
but never saw it built
And it took the child
from whom he was estranged
to make the world remember.
And I thought: I want to see it.
And I bet Wendy would like it, too.
Here's what I bet.
I bet all Louis Kahn wanted
was to connect with his son.
But that his work kept calling to him,
pushing him, driving him.
And at a certain point,
the gap was just too great.
But in the end, the son found him.
And showed Kahn's greatness
to the rest of the world.
I have to imagine that
even through the sadness,
the time, the mortality,
there's a connection now, between them.
That's very hopeful.
I want you to be right.
[dramatic music]
Helena, I need you to track down
some old session notes from
storage in the Westport office.
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