[instrumental music]
[music continues]
[music continues]
[music continues]
[instrumental music]
Male narrator: Naples, Italy,
February 27, 1873.
Men went to work,
women cooked and cleaned.
Babies were born.
A day like any other day,
except at the Caruso home.
For here
a great voice was born.
[baby crying]
You can come and see
your son now.
This one is strong,
Marcelino.
He will live.
Ana, it feels good already
to have a son.
Welcome to our house, bambino.
We call him Enrico,
King of the home.
[singing in foreign language]
Enrico!
- What's the matter?
- Enrico's sweetheart!
Musetta, you disturb.
We sing in a procession
this afternoon,
we haven't much time.
Enrico's mother,
she fainted again.
Gino, Fucito!
Where are you going?
He is our best friend.
- Father Angelico...
- Yes, my child?
Signor Caruso said,
"Please, come quick."
Oh, mama, I'm sorry.
It's not the first time
I've fainted, or the last.
You should not have
left the choir.
You will be late
for the procession.
You're ill, mama.
I won't leave you.
When you sing, I feel real,
I feel very happy.
You alone of all my children
was born with the voice.
I don't care about that.
The voice is important, Enrico.
Maybe I'm a foolish mother
but I have always felt
the good Dio spared you to sing.
God gave you a great gift.
You must use it.
You sent for Father Angelico.
You're keeping things from me.
She sent for you,
Father Angelico, didn't she?
Enrico, Father Bronzetti
is waiting.
Hurry, my boy!
I shall wait here.
But mama...
Tears help the singing, bambino.
Go now.
I listen for your voice.
You will wave to me
from the window, mama?
I will hear your voice.
Enrico.
[crying]
[singing in foreign language]
[singing continues]
[bell tolling]
[singing in foreign language]
[vocalizing]
[singing in foreign language]
[audience cheering]
Oh, he sings so beautifully!
Hmph! For pennies.
A fine living.
Oh, Egisto, they are in love.
Enrico: My next song
and my heart
I dedicate to that lovely lady,
Musetta Barretto.
She has honored me by coming
here this evening
with her respected father,
a distinguished merchant
of our city,
Signor Egisto Barretto
and his charming wife.
[singing in foreign language]
[singing continues]
[singing continues]
[singing continues]
[audience cheering]
Like a beggar. Come.
I'm ashamed!
Like a beggar.
I'm ashamed!
You want to get married?
But what will you feed
you and Musetta
and the bambino
that will come each year?
Sacks of flour! Sacks and sacks
and sacks from my flour mill?
I know you do not like me,
signor, but--
Enrico, listen to papa,
please!
You're wrong, Enrico.
You like my daughter
and I like you.
You need a wife,
I need a son.
When my savior calls me,
you will be the big boss
The flour mill will be yours,
this house, everything I have,
if you use your head.
You are very generous sir,
but I--
- But?
- Enrico, listen to papa.
I have listened to papa.
Perhaps for a minute
someone will listen to me!
It is true, Signor Barretto
that right now
I sing for pennies.
Pennies are not very important
in a big house like this.
But the singing,
that is important everywhere.
It makes people feel
good inside.
It takes away the ugliness,
the sadness
and it fills
the empty place here.
That too is something,
signor, isn't it?
No son-in-law of mine
begs for pennies.
If that is your answer,
Signor Caruso, I say, addio!
Egisto, they are in love!
Musetta is my only child.
I would like for her
to be comfortable and happy.
Is this unreasonable?
It's most reasonable.
Then?
Si, signor.
Settled!
[instrumental music]
Buongiorno, Papa Ricardo.
Oh, my friend, the singer.
I haven't seen you for months.
I'm no longer a singer,
I'm a merchant.
I congratulate you, Enrico.
In Naples,
everybody is a singer,
who is the merchant?
One in 10,000.
- Your mother would be proud.
- Ah, wonderful.
[speaking in foreign language]
- Enrico.
- Fucito!
Come, come and sit!
No, I have much business
to attend.
Oh, I see. I see.
You got money
in your pockets now
so you got no time
for old friends, eh?.
You speak foolish.
It was fun in old days,
huh,Enrico?
A man must use his head, Fucito.
People have to eat,
to eat you must have money.
They eat.
And they eat good too
and they drink champagne.
Enrico: Who are they?
Merchants?
Merchants?
Singers!
From the San Carlos
Opera House.
- From San Carlos?
- Ah.
Alfredo Brazzi, the tenor,
and Carmeli.
No!
Enrico, why don't you
let them hear
what a real singer sounds like?
Oh, I can't sing anymore.
Lost your voice?
Too much flour in the throat.
Here. Wet it down.
[vocalizing]
Still too dry.
[vocalizing]
He's good.
Hey, young man..
You use your voice nicely.
Grazie.
You had some training?
I was taught by
Father Bronzetti.
Oh. And where do you
sing now?
Well, I'm not really a singer.
I'm a flour merchant.
Oh. With that chest,
with that voice?
That's what I tell him,
gentlemen.
He can sing anything!
High, low, adaio, andante--
Fucito, these men
are professionals.
Oh, go ahead, young man.
Never mind that.
Of course, signor, of course.
[piano music]
[singing in foreign language]
[singing continues]
[singing continues]
[applauding]
[water pattering]
Oh!
[thunder rumbling]
Ah-ha! There you are!
You good for nothing,
loafer you.
- The flour!
- The flour.
The customers, the business.
They're gone!
I'm a ruined man.
But it's my fault, I'm to blame.
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