MAN ON RADIO:
Men, are you over 40?
When you wake up in
the morning, do you
feel tired and rundown?
Do you have that
listless feeling?
(CHANGES STATION)
(MUSIC PLAYING)
(ALARM RINGING)
(CHILDREN CHATTERING)
(PHONE RINGING)
Jefferies.
GUNNISON:
Congratulations, Jeff.
For what?
For getting rid
of that cast.
Who said I was
getting rid of it?
This is Wednesday.
Seven weeks from
the day you broke
your leg. Yes or no?
Gunnison, how did you ever
get to be such a big editor
with such a small memory?
Thrift, industry
and hard work.
And catching
the publisher with
his secretary.
Did I get
the wrong day?
No.
No, wrong week.
Next Wednesday
I emerge from this
plaster cocoon.
That's too
bad, Jeff.
Well, I guess I can't
be lucky every day.
Forget I called.
Yeah, I sure
feel sorry for
you, Gunnison.
Must be rough on you
thinking of me wearing this
cast for another whole week.
That one week is
gonna cost me my
best photographer
and you a big
assignment.
Where?
There's no point in
even talking about it.
Oh, come on,
come on. Where?
Kashmir.
Got a code tip
from the bureau
chief this morning.
The place is about
to go up in smoke.
What did I tell you?
Didn't I tell you that's
the next place to watch?
You did.
Okay. When do I leave?
Half-hour? Hour?
With that cast
on? You don't.
Stop sounding stuffy.
I can take pictures
from a jeep or a water
buffalo, if necessary.
You're too valuable
to the magazine for
us to play around with.
I'll send Morgan
or Lambert.
Morgan or Lambert.
That's fine.
I get myself
half-killed
for you,
and you reward
me by stealing
my assignments.
I didn't ask you to stand
in the middle of that
automobile racetrack.
You asked for something
dramatically different.
You got it.
So did you.
Goodbye, Jeff.
Now wait a minute,
Gunnison. You've got
to get me out of here.
Six weeks sitting in
a two-room apartment
with nothing to do but
look out the window
at the neighbors.
Bye, Jeff.
No, Gunnison, I. . .
If you don't pull me out
of this swamp of boredom,
I'm gonna do
something drastic.
Like what?
"Like what?"
I'm gonna get married.
And then I'll never
be able to go anywhere.
It's about time
you got married,
before you turn
into a lonesome
and bitter old man.
Yeah, can't you
just see me?
Rushing home to
a hot apartment
to listen to the
automatic laundry and
the electric dishwasher
and the garbage
disposal and the
nagging wife.
Jeff, wives don't nag
anymore, they discuss.
Is that so?
Is that so?
Well, maybe in the
high-rent district
they discuss.
In my neighborhood,
they still nag.
Yeah? Well, you know best.
I'll call you later, Jeff.
Yeah, have some
good news the
next time, huh?
Good morning.
I said,
"Good morning !"
Oh, good morning.
Say, I wouldn't dig
so deep if I were you.
You're giving them
far too much water.
Why don't
you shut up?
Well !
I do declare.
New York State sentence
for a Peeping Tom is six
months in the workhouse.
Oh, hello, Stella.
And they got
no windows in
the workhouse.
You know, in the old days,
they used to put your eyes
out with a red-hot poker.
Any of those bikini bombshells
you're always watching
worth a red-hot poker?
Oh, dear. We've become
a race of Peeping Toms.
What people ought to do is
get outside their own house
and look in for a change.
Yes, sir.
How's that for a bit
of homespun philosophy?
Reader's Digest,
April, 1 939.
Well, I only quote
from the best.
Yeah.
You don't have to take my
temperature this morning.
Quiet. See if you
can break 1 00.
You know, I should have
been a gypsy fortune-teller
instead of an
insurance-company
nurse.
I got a nose for trouble.
Can smell it ten miles away.
You heard of that
market crash in '29?
I predicted that.
(MUMBLING)
Just how did you
do that, Stella?
Oh, simple.
I was nursing
a director of
General Motors.
"Kidney ailment,"
they said.
"Nerves," I said.
Then I asked myself,
"What's General Motors
got to be nervous about?"
"Overproduction,"
I says. "Collapse."
When General Motors
has to go to the
bathroom 1 0 times a day,
the whole country's
ready to let go.
You know, Stella,
in economics,
a kidney ailment
has no relationship
to the stock market.
None whatsoever.
Crashed,
didn't it?
I can smell
trouble right here
in this apartment.
First you smash your
leg, then you get to
looking out the window,
see things
you shouldn't
see. Trouble.
I can see you
in court now,
surrounded by a
bunch of lawyers in
double-breasted suits.
You're pleading. You say,
"Judge, it was only a
little bit of innocent fun.
"I love my neighbors,
like a father."
And the judge says,
"Well, congratulations.
"You've just given birth
to three years in Dannemora."
Right now I'd welcome
trouble, you know.
You've got a
hormone deficiency.
How can you tell
from a thermometer?
Those bathing beauties
you've been watching
haven't raised your
temperature one
degree in a month.
Here we go.
One more week.
No, I think you're right.
I think there is gonna be
trouble around here.
I knew it.
Ooh !
Do you ever
heat that stuff?
Gives your circulation
something to fight.
Oh, I see.
What kind
of trouble?
Lisa Fremont.
You kidding?
She's a beautiful
young girl, and you're a
reasonably healthy young man.
She expects me
to marry her.
That's normal.
I don't want to.
That's abnormal.
I just. . . I'm not
ready for marriage.
Every man's ready
for marriage when the
right girl comes along.
And Lisa Fremont is
the right girl for any
man with half a brain
who can get
one eye open.
She's all right.
What'd you do,
have a fight?
No.
Father loading
up the shotgun?
What?
Please, Stella.
It's happened
before, you know.
Some of the world's
happiest marriages
have started
"under the gun,"
as you might say.
No, she's just not
the girl for me.
Yeah, she's
only perfect.
She's too perfect. She's too
talented. She's too beautiful.
She's too sophisticated.
She's too everything
but what I want.
Is what you want
something you
can discuss?
What? It's very
simple, Stella.
She belongs to that
rarefied atmosphere
of Park Avenue, you know.
Expensive restaurants and
literary cocktail parties.
People with sense
belong wherever
they're put.
Can you imagine her
traveling around the
world with a camera bum
who never has more
than a week's salary
in the bank?
If she was
only ordinary.
You never gonna
get married?
I'll probably get
married one of
these days,
but when I do, it's
gonna be to someone
who thinks of life
not just as a new
dress and a
lobster dinner
or latest scandal.
I need a woman who's
willing to. . . Hold it.
Who's willing to go anywhere
and do anything and love it.
So the honest thing for
me to do is just call
the whole thing off.
Let her find
somebody else.
Yeah, I can
hear you now.
"Get out of my life,
you perfectly
wonderful woman.
"You're too
good for me."
Look, Mr. Jefferies,
I'm not an
educated woman,
but I can tell
you one thing.
When a man and a
woman see each other
and like each other,
they ought to come together,
wham, like a couple of taxis
on Broadway,
and not sit around analyzing
each other like two
specimens in a bottle.
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好运查理第一季(美剧)好运查理第二季(美剧)好运查理第三季(美剧)成长的烦恼第一季(美剧)成长的烦恼第二季(美剧)小谢尔顿第一季(美剧)小谢尔顿第二季(美剧)哈利·波特与魔法石 Harry Potter and the Sorcerer's Stone(2001)哈利·波特与密室 Harry Potter and the Chamber of Secrets(2002)哈利·波特与阿兹卡班的囚徒 Harry Potter and the Prisoner of Azkaban(2004)哈利·波特与火焰杯 Harry Potter and the Goblet of Fire(2005)哈利·波特与凤凰社 Harry Potter and the Order of the Phoenix(2007)哈利·波特与死亡圣器(上) Harry Potter and the Deathly Hallows: Part 1(2010)哈利·波特与死亡圣器(下) Harry Potter and the Deathly Hallows: Part 2(2011)哈利·波特:一段魔法史 Harry Potter: A History of Magic(2017)无敌破坏王 Wreck-It Ralph(2012)超人总动员2 Incredibles 2(2018)后窗 Rear Window (1954)【完整台词】
摄影师杰弗里斯(詹姆斯·斯图尔特 饰)因站在赛车道中间拍摄,断了左腿,只得在家静养七周。除了保险公司的护士斯特拉(西尔玛·里特 饰)和女友丽莎·卡罗尔·弗里蒙特(格雷斯·凯利 饰)每日前来照料,百无聊赖的杰弗里斯只能在窗前闲看邻居们的日常生活以打发时间。对面公寓的二楼住着人造珠宝推销员拉尔斯·托瓦尔德(雷蒙德·伯尔 饰)及妻子安娜(艾琳·温斯顿 饰),夫妻之间争吵不断。一个雨夜,杰弗里斯看到拉尔斯提着箱子外出数次。次日,杰弗里斯又看到拉尔斯用报纸包裹一把锯和一把刀。杰弗里斯起了疑心,他怀疑拉尔斯杀害了安娜并分尸抛弃。然而,杰弗里斯并未目击案发过程,也未见到尸体。那么真相究竟如何呢?杰弗里斯的推测只是他的臆想吗?为了证实他的推测,杰弗里斯要如何寻找证据呢?
导演: 阿尔弗雷德·希区柯克
编剧: 康奈尔·伍尔里奇 / 约翰·迈克尔·海耶斯
主演: 詹姆斯·斯图尔特 / 格蕾丝·凯利 / 温戴尔·柯瑞 / 瑟尔玛·瑞特 / 雷蒙德·布尔
类型: 悬疑 / 惊悚
制片国家/地区: 美国
语言: 英语
上映日期: 1954-08-01
片长: 112 分钟
又名: Alfred Hitchcock's Rear Window / Fenêtre sur cour
后窗 Rear Window (1954) 全部台词 (当前第1页,一共 8 页)
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