[ORGAN
SOUNDS]
You're not gonna believe this,
Reverend J. Come quick.
Whoa. Slow down,
Hope.
You've gotta see
what's happened.
[PLAYING MARK MANCINA'S
"3 NOTE THEME"]
Remember in Music Appreciation
we had a class on Mozart?
Yes.
Remember you said
he was like a musical pod?
? Prodigy.
? Exactly.
Well, I have one of those,
and he's living under my bed.
So I showed him the scales
and when I came home, he was...
[LYLA:] Mr. Jeffries, hi,
it's Lyla Novacek again.
I was just
checking in...
Right,
I understand...
You know, if there's any more
information or... Yeah, just call.
I'll take it.
[WOMAN:] How long do you
think you'll be staying?
[LYLA:]
As long as it takes.
Sorry.
[LYLA:] I don't know, Lizzy,
it's like I just woke up ...
... and I should start
playing again. I should play.
I know it sounds crazy,
but maybe he'll hear me.
[LOUIS:] Hey, Marshall.
It's me.
I'm in
New York.
Is the band still minus
one mad Connelly brother?
Having you guys here,
it'd be great, you know?
Just an
idea.
Hey, Frank!
It's Louis!
Louis
Connelly.
And?
I played here with me band a couple
of years ago. Well, about 10 years ago.
Hey, hey,
listen, Frank.
I'm gonna play you one
song, all right? Just one song.
And if you don't like it,
you can throw me out.
[MARK MANCINA'S
"AUGUST TO JUILLIARD" PLAYING]
[DEAN:] You brought us
a prodigy, Reverend.
He is a
mystery.
Dean, I thought he
was an angel.
There's no record of
an August Rush anywhere.
[TEACHER:] It's about foundation,
starting with a very simple, orderly chord.
[LOUIS SINGING:]
... As you open your eyes
The last thing you say
As you're saying goodbye
But something inside you
Is crying and driving you on
[CELLO PLAYING DAVE METZGER'S
"CELLO CONCERTO IN E MINOR"]
[LIZZY:] Lyla, just relax.
[LYLA:] This piece.
[LIZZY:] You're pushing yourself too hard.
[LYLA:] I don't know if I can do this.
[LIZZY:] You're playing with the
Philharmonic. That's great.
Okay, let's
keep going.
[TEACHER:] Start with a C-major chord,
then a modulation to G.
Once we get to G,
we go back to C, very simple.
And we have
C, G, C.
At the very beginning,
C-major chord.
We have this chaotic evolution
into a remote G-major.
C-major chord,
then move into a G.
What's this,
August?
The diminished
fifth, sir.
Key change
here.
And then the rise with those
round horns, the oboes, ...
... into the allegro
staccato strings.
[KNOCKING]
Ah, Mr. Rush...
I'm sorry.
Why are you
apologizing, August?
Sometimes I don't listen well and
I don't do the homework like I'm supposed to.
Well, I'm sure you'll do
better in the future.
The New York Philharmonic Orchestra
is having a concert.
In the history of this school
we have never performed ...
... the work of a first-year student.
And certainly no one of your age.
But now, we've asked them
if they could perform your rhapsody.
Would you like
that?
Well, good.
Good.
How many people
will hear it?
Well...
It would be performed in
Central Park, on the Great Lawn.
A hundred?
Much more.
Thousands.
Okay. Because I need to play it
to a lot of people.
Lots and lots.
[TEACHERS CHUCKLING]
We'll see what
we can do to help.
[DEAN:] August, three artists will be
performing, and you will be featured last.
How do you
do it?
How does the music
come to you?
[AUGUST:]
I just hear it.
Sometimes I wake up
and it's there or ...
... I hear it when I'm walking
down the street.
[MARK MANCINA'S
"JUILLIARD MONTAGE" PLAYING]
It's like someone's
calling out to me.
Writing it all down is like
I'm calling back to them.
Who?
The ones who
gave me the music.
[MARSHALL:] You sure you're
ready for this, Louis?
Are you?
[ORCHESTRA PLAYING MARK MANCINA'S
"RHAPSODY REHEARSAL"]
Bravo, August!
Good one!
August, boy, you're
a hard guy to find.
Been looking
everywhere for you.
Excuse me. You're
interrupting a rehearsal here.
[WALLACE:] Yeah, rehearsal, right.
[TEACHER:] And you are...?
Come here to me,
son.
[WALLACE:]
Come here.
What'd they do
to you?
Nothing.
These people can
steal your soul.
Sir, whomever you are,
you don't have the right.
I'm his father, all right?
I have every right.
I'll take you home now.
Come on.
But I have a concert.
I like it here.
? He's a remarkable boy...
[WALLACE:] You don't think I know that?
What'd you do, you just snatched him up
off the street? That gives you the right?
? Wait a moment, we've been teaching him here.
? What are you gonna do?
Fill his head with
classical theory and rules?
You can't learn music
from books.
It's
out there.
You teach him?
Ha!
He teaches you.
You learn from him.
We are. I assure you,
Mr. Rush, every day.
Come on. You should be
with family. Come on.
Mr. Rush,
please.
Do you have any idea of the importance
of the concert tomorrow night, for August?
August, wait, listen... You gotta tell me
right now, is this man really your father?
You can tell me
the truth.
[WALLACE:] I know
your real name...
Evan.
[TEACHER:] August...
[WALLACE:] Evan.
Is he your
father?
[MARK MANCINA'S
"WIZARD RETURNS" PLAYING]
He taught me
everything I know.
[STRUMS
GUITAR]
[ARTHUR:] And we are back,
we are back...
Don't make it harder for
yourself, Aug. Wizard's not so bad.
You saw the kid, right?
He's a freak of nature! Yeah.
Okay. Here's the deal. Thousand a night,
2 weeks minimum, 3 cities guaranteed.
Then we ship him out to your
partner on the West Coast.
No!
[ARTHUR:] He just ain't
feeling well...
He said you the only one
who gonna make him feel better.
Competition. All right, I'll be back.
You do what you do.
[ARTHUR:]
Yo, yo!
[STRUMS
GUITAR]
I'm his representation.
That's why I'm making the deal.
Come on! No, there's
no parents.
Great sounds,
kid.
Gibson
J-200?
It's
beautiful.
Can I see
her?
Hey!
It's okay.
I'm a musician
too.
Yeah.
Oh, yeah...
[PLAYING HEITOR PERIERA'S
"DUELING GUITARS"]
Nice
action.
You're pretty
good.
Thanks.
See what you
can do with mine.
? How long you been playing?
? Six months.
Six months?
How'd you learn how to play
like that in six months?
Juilliard.
? Juilliard?
? Yes, sir.
I have my own
concert tonight.
Do you reckon
I should believe you?
? Yeah. But I can't go.
? Why's that?
It's kind of
a long story.
Well, if I went
to Juilliard ...
... and I had a
concert tonight ...
... I wouldn't miss it
for the world.
Yeah.
But what if something bad
would happen if you did it?
You never quit on
your music.
No matter
what happens.
Because anytime something
bad happens to you ...
... it's the one place you can
escape to and just, psh, let it go.
I learned that
the hard way.
And anyway,
look at me, ...
... nothing bad's
gonna happen.
You gotta have
a little faith.
I'm
Louis.
Ev...
August.
August Rush.
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莱拉(凯丽•拉塞尔 Keri Russell 饰),一个出色的大提琴手;路易斯(乔纳森•莱斯•梅耶斯 Jonathan Rhys Meyers 饰),一名流浪的爱尔兰歌手。一个月色迷离的晚上,两人相遇了。度过难忘的一晚后,莱拉那专横的父亲又强逼她继续踏上音乐会的旅程。路易斯因等不到恋人失望之下离开了;而莱拉发觉爱人走后,独自伤心的等待肚中的孩子出生。岂料几个月后莱拉遭遇了一场车祸,宝宝亦随之夭折。孰料,莱拉的宝宝其实并没有死,而是被她狠心的父亲送到了孤儿院。一晃眼10多年过去了,生活在孤儿院的少年奥古斯特(弗莱迪•海默 Freddie Highmore 饰)坚信自己的父母还在世上,于是踏上了漫漫寻亲路。
导演: 科斯汀·谢里丹
编剧: 尼克·卡斯特尔 / 詹姆士·V·哈特 / 保罗·卡斯特罗
主演: 乔纳森·莱斯·梅耶斯 / 弗莱迪·海默 / 罗宾·威廉姆斯 / 凯丽·拉塞尔 / 泰伦斯·霍华德
类型: 剧情 / 爱情 / 音乐
制片国家/地区: 美国
语言: 英语
上映日期: 2009-01-23(中国大陆) / 2007-11-21(美国)
片长: 114 分钟 / 100 分钟(以色列)
又名: 把爱找回来(台) / 流浪乐手 / 八月狂奔 / 声梦奇缘
八月迷情 August Rush (2007) 全部台词 (当前第6页,一共 8 页)
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